Sunday, July 09, 2006

WE ARE IRAN

17 November 2004
I keep a web log so that I can breathe in this suffocating air... In a society where one is taken to history's abbatoir for the mere crime of thinking. I write so as not to be lost in my despair...so that I feel that I am somewhere where my calls for justice can be uttered...I write a weblog so that I can shout, cry and laugh, and do the things that they have taken away from me in Iran today.


More than 70 per cent of the Iranian nation are under 30

Today Farsi is the fourth most used language in the world for keeping blogs.

There are more Iranian blogs than there are Spanish, German, Italian, Chinese or Russian
There are 64,000 bloggers writing in Farsi in Iran; some would put the figure nearer a million.

WE ARE IRAN is a book containing raw blog extracts - which are emotional, affecting, surprising, tragic, terrible and uplifting - above all so human. These are embedded in
running text which explains the terrible modern history of Iran in a succinct and readable manner. How the US conspired with Iran against the British and then used the CIA to unseat the most democratic leader the country had ever had (an earlier example of 'regime change', before Allende even), replacing him with the Shah, who lived a life of cruelty and opulence, only to be overthrown by the Ayatollah, who opened the door to our new world of islamic extremism, humiliated Jimmy Carter and ordered the fatwah on Salman Rushdie.

Then there was the war with Iraq - little remembered now in the West - in which the US sold arms to Iraq. It began in September 1980. Iraq attacked western Iran, launching the longest conventional war of the 20th century (1980-88) in which more than a million people were killed on both sides.

Since April 2003 the authorities have been arresting bloggers. Iran had already earned the reputation of being 'the biggest prison for journalists in the Middle East', says Reporter sans Frontieres.

This book takes you right into the heart and soul of the people of Iran today in a dramatic and powerful way. The role of women is particularly important and their search for freedom is one of the biggest threats to the power of the mullahs and their Morality Police.

Iran is the only islamic state that has such a long experience of both secular and religious government. They have a rich culture, steeped in art and learning, and a young population who, having been denied the products and ideas of the West, have naturally created their own underground and found it all anyway - but in a more secret fashion.

These blogs are brimming with life, speaking out to us. It is important we get to know the young Iranians and begin opening dialogues between us. I feel this personally because, according to my site meter, which displays a world map of recent hits, one week The Generalist was visted by a blogger from Iran.

70% of the population of Iran is under 30. Just remember that. Read this book as if your life depended on it.

WE ARE IRAN by Nasrin Alavi is published by Portobello Books Ltd.

FIND OUT MORE ABOUT IRAN

Read 'Which Planet Are You on' by John Vidal in The Guardian, an interview with Massoumeh Ebtekar, the former environment minister and first female vice-president of Iran. She reveals: 'Nuclear in Iran goes back to the Shah. He had a feasibility study done by Stanford University, which recommended it. It was an American idea that we have nuclear power.'

Iran in Wikipedia

CIA World Fact Book

New York Times: World news about Iran, including breaking news and archival articles.

IRNA - Islamic Republic News Agency: The official news agency of Iran. Minute by minute coverage of Iran events in both Farsi and English.

Iranian.com

GLITCH: EXPLORER STYLE

FOR SOME REASON THAT I CAN'T WORK OUT
EXPLORER IS THROWING MY BIO, LINKS AND PREVIOUS POSTS
DOWN THE BOTTOM OF THE COLUMN
I'VE TRIED ALL THE OBVIOUS THINGS WITH NO SUCCESS
IT LOOKS FINE ON FIREFOX
SO SWITCH BROWSERS IF YOU CAN
ANY SOLUTIONS WELCOME
YOUR REWARD WILL BE IN HEAVEN
ITS PROBABLY SOMETHING SIMPLE AND STUPID
ALWAYS THE MOST DIFFICULT THINGS TO FIND
IF YOU DON'T KNOW ABOUT THEM
IN THE FIRST PLACE
I AM GOING FOR A GUINNESS
TO AWAIT DEVELOPMENTS

BIG FUG LINKS 2
















Astroboy, by Japanese artist Araki Hiroshi.

Big Fug can be relied on to provide some of the most interesting links around. He has unusual tastes. These arrived today:

www.we-make-money-not-art.com/archives/008741.php
A magical miscellany of creative outpourings including Art From Japan from which Astroboy is drawn (above)

http://kropserkel.com/horse_head_pillow.htm
Inspired by The Godfather. Not for the squeamish

www.gvetchedintime.com/
'Etched in Time' is an entire gallery of work entirely executed on those old Etch-A-Sketch machines by George Vlosich III. Each one takes 60-70 houts to complete.

http://worthersoriginal.com/viki/#page=shadowmonsters
A collection of work from artist Philip Worthington presented on a site that throws all the rules of navigation our of the window to create a different web experience

DEATH AND TAXES


Death and Taxes:

A visual look at where your tax dollars go
by Jesse Bachman

In a post The Awesome Power of Data Visualization
on the blog Occam's Razor, Avinash Kaushik writes: 'The visual you see above represents how the US government spends it budget. Talk about representing something extremely complex that perhaps very few people in the US government have a handle on. It took Jesse a full year to produce this visual. Jesse’s self state goal was: “Most people are unaware of how much of their taxes fund our military, and those aware are often misinformed. Well here it is. Laid out, easy to read and compare. With data straight from the White House.”
You can find the full size version here

Sunday, June 18, 2006

LAST SEEN IN LHASA

There's a lot of overused words in the book reviewing trade but I'm going to use some of them here: inspiring, insightful, courageous, gracious, moving.
Claire Scobie set out to Tibet for the first time in search of a rare flower and, on that adventure into the wilds, she met Ani - a Tibetan nun of unusual character - and they became friends. Thus was Claire drawn back again and again and again to return - to find Ani and to witness, at first hand, the rapid and worrying changes brought about to this sacred land by the Chinese annexation. On each trip, she takes us into a deeper level of her Tibet experience, drawing the reader into temples and brothels, along breathless mountain trails in the high mountains, into a room with the Dalai Lama.
She literally risks life and limb to bring us these stories and insights, coming within a hair's breadth of being arrested and imprisoned by the Chinese Military Police, suffering regular bouts of sickness. She shares her despairs and elations, her misgivings, her love affair, in such an honest and open manner, in an unforced and natural voice, that promotes instant indentification. Her developing friendship with Ani is the thread that holds the narrative together and this also is beautifully rendered. The descriptions of the giant skies, the sheer wonder and beauty of the sacred mountains, is breathtaking. There are some wonderful ancient spiritual thoughts and ideas here alongside some tough, hard-edged contemporary journalism of the classic kind. It is a first-hand account of one of the spiritual centres of the world being overwhelmed by the forces of modern Chinese society, a process accelerated recently by the opening of the China-Tibet railway. This certainly must be one of the best introductory works for a general reader seeking to really understand what is really happening in modern-day Tibet. This book is a considerable and hard-won achievement.
['Last Seen in Lhasa' by Claire Scobie. Rider Books]
Declaring An Interest: It is only fair to say and also important to say that I am a long-time friend of the author and am mentioned in the personal acknowledgements. This, you might be tempted to say, weakens the force of my review. The point is this: it's always difficult when a friend gives you a book of theirs to read. The dread is that it's not going to be very good and that you are going to have to find some polite way of dealing with it. I am relieved and happy to be able to say this book is truly splendid.
Now find out more about what's going on inTIBET here:
Free Tibet Campaign: http://www.freetibet.org/
Tibet Government in Exile: http://www.tibet.com/
Tibet Online: http://www.tibet.org/
International Campaign for Tibet: http://www.savetibet.org/
The Central Tibetan Administration: http://www.tibet.net/

Sunday, June 04, 2006

EARTHED: AMORY LOVINS

Illustration: Simon Bartram

I wrote this timely article for the 'Connected' supplement of The Daily Telegraph, who published it on June 2rd 1997. 'Connected' was the first British newspaper supplement on digital technologies and I was a regular contributor to it. In our modern era of concern over climate change and increased interest in energy efficiency, this article still makes interesting reading.

Digital Weapons Deployed In War On Waste

Here are some disturbing facts about the world: we are more than 10 times better at wasting resources than using them. Eight per cent of products are discarded after a single use. Ninety-nine per cent of the original materials used in the production of — or contained within — goods in America becomes waste within six weeks of sale.
Seventy per cent of the original fuel energy used by conventional or nuclear power stations is wasted before it gets to an ordinary household light. Similarly, 85 percent of the energy from a car's fuel is wasted in the engine or drivetrain before it gets to the wheels.

In a steadily warming world, such wastage — of heat, resources, time, money, water and air — is both dangerous economically and a contribution to climate change that we can't afford. Fortunately, a solution is at hand.

A new "industrial revolution" is beginning to emerge alongside the digital one — a revolution of resource efficiencies and environmental technologies. Computer-aided design has radically altered design, engineering and architectural practice; micro-electronics has enabled the increasing sophistication of manufacturing processes; telecommunications affects transport.

This revolution will have an equally important impact on all our lives in the next decade, although evidence of it is, as yet, scattered widely. However, the publicatoions last month of a book called 'Factor Four' will not only provide a focus for broader public awareness, but also introduce to a wider readership in Britain one of this revolution's leading evangelists, Amory Lovins.

Lovins, 49, a consultant physicist by training, is an engaging character whose dry wit is combined with an encyclopedic memory and a snappy line in new thinking that has convinced even the most trenchant of critics.

Just as the 19th century industrial revolution brought a massive increase in the productivity of human labour through mechanisa­tion, so, Lovins argues, this new change will achieve an equally remarkable result through the more effective and efficient use of materials and energy.

'Factor Four' is the latest report from the Club of Rome, which, back in 1972, triggered off plane­tary concerns with its first report, 'Limits to Growth', warning of the ecological constraints on human activity.

"There are some very powerful new technologies for using all resources — energy, water, materi­als, transport services — more pro­ductively," says Lovins. "These are the technologies of elegant fru­gality, for doing more and better with much, much less. They pre­vent depletion at one end and pol­lution at the other, make a profit on both, and usually provide a much superior service as well."

Factor Four is packed with examples that back up his asser­tions:

• One-fifth of all electricity used in America goes directly into light­ing. However, ordinary incandes­cent light bulbs, which have changed only modestly since the Thirties, emit only 10 per cent of their energy as light. These are now slowly being replaced by com­pact fluorescent lamps, pioneered in Holland and Germany. About 200 million of these lamps are sold every year globally, and this is ris­ing by 15 to 20 per cent a year. Those sold in 1994 alone will save around £5 billion in electricity over their lifetimes.

• Lovins was involved in an $18 million, seven-year project to ret­rofit a dozen experimental build­ings, a project underwritten by US Pacific Gas and Electric, the larg­est investor-owned American util­ity company. The project confirmed that about three-quarters of the electricity used in most situations could be saved, while providing the same or better services.

So what value do the 'Factor Four' concept and Lovins' ideas have for British industry?

Peter Scupholme, manager of environmental relations for BP International, says: "People like Lovins are adding to the debate by challenging the existing mindset." BP had Lovins to one of its seminars last year, on the future of transport. Scupholme says BP is striving for a more energy-efficient process at its refineries. However "in real life", he says, things are changing slowly, "but there is a widespread recognition that we need to move towards more sustainable production and consumption patterns. In this debate 'Factor Four' is a good market to aim for."

Dr Chris Tuppen, the corporate environmental issues manager for BT, sees telecommunications as a key part of the shift towards sustainability, and says telecoms has achieved far more than a factor of four in relation to costs and bandwith. The first transmission cable in Britain, which ran from London to Liverpool in 1914, required 80kg opf copper per kilometre of cable for each telephone circuit. Now fibre optic cables use 0.001g of glass per kilometre per circuit.

A telling example of the interac­tion of the digital and the environ­mental is the case of BT's tele­phone exchanges, which have been switched from electro-mechanical to digital.

"The old exchanges use most energy only when they switch," says Tuppen. "The digital exchanges need to be on all the time, which generates heat. Our immediate reaction to this was to install air-conditioning units — increasing energy use. Now all new BT exchanges use forced natural ventilation, elimi­nating the need for refrigeration. This has cut energy use by 50 per cent. We were able to achieve this by using computer modelling of air flows; each exchange is individually modelled for maximum efficiency. We have also broadened the temperature operating range of the exchanges. Computer manufacturers are now coming to us to see if they can do the same thing for computer systems."

Lovins' most recent battle in England has been to try and change the system - established by the restructuring of the electricity industry - that rewards electricity companies for selling more energy and penalises them for cuitting your electricity bill.

"We have changed it in six or eight of the US states so far, and it has a miraculously beneficial effect on utilities' behaviour and culture if you align their share­holders' interests with the custom­ers'. Just now they are opposite," he says.

Lovins resists calling these new technologies "green". They are "simply the way most technol­ogies are going to be. They work better and cost less than, if you like, the 'brown' technologies that were based on a large throughput of resources from depletion to pol­lution while delivering a rather modest amount of an indifferent service.

"Typically, these [new] technol­ogies have a much higher ratio of intelligence to mass than the old ones. There is not much to them materially — just enough to do the job; but a great deal of intelli­gence, and indeed wisdom, in the design."

If one idea can be said to symbol­ise Lovins's views it is his develop­ment of the hybrid electrically-powered Hypercar. Lovins and his research institute, the Rocky Mountain Institute in Colorado, attempted to re-think the entire concept of the car.

The result was the Hypercar: a lightweight (up to 75 per cent lighter than a conventional car), sleeker (drag reduced by 60 per cent) and more efficient vehicle (road and tyre energy loss slashed by 60 per cent).

It is powered by a hybrid petrol and electric drive, the petrol engine generating the electricity for an electric motor. Petrol stores 100 times the energy per kilogram compared with batteries; such a propulsion system weighs about a quarter as much as a battery-elec­tric car. The Hypercar concept has the backing of the White House, and the big three American car manufacturers.

In Lovins's view, cars had become "incredibly baroque", adding gadget after gadget to solve problems that better design should have prevented in the first place.

"The Hypercar is heading rap­idly to market. We are expecting it late this decade. It does not, of course, solve the problems of too many people driving too many ki­lometres in too many cars, and may make them worse by making driving even cheaper and more attractive. But, I think I would rather run out of roads and patience than out of air and oil first. And we ought not to run out of either because we ought to have real competition among all ways of getting around or not needing to."

['Factor Four' by Amory Lovins and Ernst von Weizsacker is pub­lished by Earthscan]

BOX: Efficiency of A Genius
Educated at Harvard and Oxford, where he became one of the youngest-ever dons at 21, Lovins also holds six US honorary doctorates and is the author of 22 books and hundreds of scientific papers.

He won a MacArthur "Genius" Fellowship in 1993 and the Onassis Foundation's first Delphi prize — one of the world's two top environmental awards. He was named by the Wall Street Journal as one of the 28 people worldwide "most likely to change the course of business in the Nineties".

He has briefed nine heads of state and given expert testimony in eight countries and more than 20 American states. He has advised companies ranging from BP to Xerox; public-sector clients include 13 state governments and the US Congress.

A key mentor was Dave Brower, founder of Friends of the Earth, in the US, Lovins later helped found the organisation in Britain. He lived here between 1971 and 1981, and wrote the first case study of British National Parks Policy. The book was held up for a year by RTZ, which had planned to mine for copper and dredge for gold in Snowdonia.

Lovins says: "I may have saved RTZ going bust because, just as they would have been at the maximum outstretch of their cash flow, the copper market went south. In the curious way of life's ironies, I'm now working cordially with the Copper Development Association, because almost everything one does to save electricity happens to use more copper."

Much of his work is in collaboration with his wife, Hunter — a lawyer, sociologist, political scientist and forester. Together they founded the Rocky Mountain Institute in 1982, an independent, non-profit policy centre that fosters resource efficiency and global security.

The institute's 40 staff explore the links between energy, water, agriculture, transport, security and development. Its annual budget comes from grants, donations and enterprises, including E Source, a database and news service on advanced electrical efficiency.

LINKS:

Rocky Mountain Institute: http://www.rmi.org/
Wikipedia: http://en.wikipedia.org/wiki/Amory_Lovins
Natural Capitalism: http://www.natcap.org/
Winning The Oil End Game: http://www.oilendgame.com/TheAuthors.html
http://www.bigpicture.tv/index.php?id=34&cat=&a=58
Business Week: www.businessweek.com/bw50/content/mar2001/bf20010323_307.htm

EARTHED: AMORY LOVINS 2

This is a never-before-published interview I conducted with Amory Lovins on the 4th July 1996. We met in the lobby of the Shell building in London on one of his whirlwind tours of the UK, a schedule crammed with meetings and appointments. A cross-town cab ride in torrential rain, in company with one of Lovin's aides, took us to Paddington Station for the train to Oxford which we both caught and on which I recorded this conversation.

JM: We use the term 'environmental technologies' as a umbrella concept to cover a wide range of tools and techniques. What do you think of the term?

AL: 'Environmental technology’ for many people means cleaning up what comes out of a pipe. In the new generation of environmental technologies, there is no pipe. Or as the architect Bill McDonough says, you take the filters out of the pipe and put them where they belong - in the designer's head so as to eliminate from the process everything you don't want to have to deal with and that shouldn't have been there in the first place. Another importance class of environmental technologies [are ones] that 1 think perhaps we oughtn't to call that - the very powerful new technologies for using all resources more productively; energy, water, materials, transport services. Technologies for elegant frugality, for doing more and better with much, much less.These are environmental in the sense that they prevent depletion at one end and pollution at the other and make a profit on both, and they usually provide a much superior service as well.But I am not sure that a hypercar with those qualities would be called an environmental technology; it has environmental benefits, but it's just a better car.

JM: What is the generic term you would use then?

AL: Well they might be called Green technologies but I think they are simply the way most technologies are going to be because they work better and cost less than, if you like, the 'brown' technologies that were based on a large throughput of resources from depletion to pollution whilst delivering a rather modest amount of an indifferent service. Typically, the technologies I have in mind have a much higher ratio of intelligence to mass than the old ones. There is not much to them materially - just enough to do the job -but a great deal of intelligence, and indeed wisdom, in the design. Typically [this is] learnt from nature, using nature as model and mentor rather than as a nuisance to be evaded. These technologies are not necessarily physical artefacts. They may be ways of designing a business. They may be ways of doing farming and forestry. They can be technique or concept or structure, not simply an object.

Let me give a few examples regarding ways of designing a business. Ray Anderson, chairman of Interface, a carpet company with about 2/5 ths of the commercial broadloom carpet market in the United States, had the nice idea that rather than selling rolls of carpet, he would lease floor covering services. Now currently if you maintain an office, you probably have to shut it down about every seven years to take up the carpet because it has got worn spots, stains or whatever. You take it out, take it to the landfill, put down a new one, get poisoned by the carpet glue in the air and then move back into the office - well, move back in and then get poisoned. What happens instead with his evergreen lease concept is that you lay down carpet tiles, which look the same, but 80 or 90 per cent of the wear is on only 10 or 20per cent of the tiles. So twice a year, little elves come in at night change the worn tiles to fresh ones. You therefore always maintain a fresh-looking carpet but you need not tear up the office to do it or disrupt your operations. Nothing goes to the landfill because the old carpet tiles are taken back to the works and remade into new ones. So the throughput of resources goes down close to a hundred fold, when you are through closing that loop, and not a drop a oil will end up getting used in the process, except initially for transport. Yet it is a much cheaper service to provide and to purchase, everybody makes more money on it and it looks better and works better.

Bill McDonough who I mentioned earlier, was asked by Steelcase, the largest US maker of office furniture, to design a textile to go on the backs of office chairs. He said: 'Alright, I'll design it, if you'll allow me also to design the production process.' They innocently agreed. So he started digging into the chemistry of dying cloth because he found that the present way they made the textiles in Switzerland, ended up with edge-trimmings treated as hazardous waste. Well what does that tell you about the middle of the cloth that you're sitting on. The first couple of dozen dye-stuff companies wouldn't let him in the door, but finally the chairman of Ciba-Geigy said 'Ok, you can come look at our dye-stuff chemistry.' He looked at three or four thousand dying chemicals and screened out any that caused cancer, mutation, birth defects, or were persistently toxic or bio-accumulative, or endocrine disruptors. Out of those six screens emerged 37 chemicals out of which he could make every colour except, initially, black. It would look better, the cloth would last longer and feel better because it wasn't being damaged by the harsh chemicals, and it turned out to be cheaper to produce with these safe chemicals because you needn't worry about poisoning either the workers or the environment.
So very costly processes of environmental and work­place health and safety compliance, toxic waste disposal and so on, simply disappear by putting the filters in the designer's head. Now this must give the companies that make dying chemicals a great deal to think about.

We are seeing this shift to inherently safe ingredients, processes and products. To things that last longer. To things that can be made with little or no wasted material, with closed materials loops, with re-cycling, re-manufacturing and repair. Shifting from selling products to leasing services. We're seeing all of these rapidly emerge in a wide range of fields. Carrier, the world's largest maker of air-conditioning equipment, is shifting from selling 'chillers' to leasing cooling services. Schindler, a Swiss lift company [Ed: Currently the world's second largest], makes most of it's money not from selling lifts but from leasing vertical transportation services. The list goes on like this. We have many companies now that don't sell industrial solvents, which then become a very costly hazardous waste disposal issue, but rather they lease dissolving services.When you're through using the solvent you give it back to them. They own it all the time. They are responsible for it. They purify it and lease it out to the next customer.

Now that's therefore a set of examples, and there are many more, of a 'green revolution' in the design of businesses. This goes well beyond the usual concepts of say waste reduction, for example. Ray Anderson again has the concept, which is fairly conventional, of defining waste as any measurable input which does not contribute to customer value. He then, however, goes a step further and sets a zero-base waste budget- every measurable input is presumed waste until shown otherwise. That's a much stronger discipline in figuring out why are we using this stuff? Do we really need it to do the job right?'

Similarly there are new ways of designing farming and forestry systems. At present, a lot of chemicalised farming treats soil like dirt rather than like a biotic community, and seeks to substitute rather costly mechanical and chemical inputs for free ecological services, that actually are much more effective - as well as free - if properly looked after. We are finding that organic techniques are: at least as profitable, often more consistently profitable; more resilient in the face of weather, market and other surprises; more atention intensive - you need more eyes per acre to make it work right; much more supportive of family and community; less hazardous to people, animals, water, soil; and produce more healthy and nourishing food.
Similarly sustainable forestry practices are emerging as a good deal more profitable than the conventional extractive techniques where you can't see the forest for the board- feet. They offer astounding economic leverage because only a tiny fraction of the value of the forest is in the wood. Most of it is in other services provided, such as watersheds, well stabilisation, bio-diversity, recreation and so on, even aesthetic and spritual values.

Now, it is in the realm of technical devices and artefacts that the technological revolution becomes so dramatic in its economic and social as well as its environmental values. The Hypercar [is an] example. [This] is our term for ultra-light hybrid-electric cars. They can be sportier, safer, more refined, more beautiful, adorable and comfortable than present cars. [They] probably cost less to produce, use about 80 to 95 per cent less fuel, produce one per cent or a tenth of a per cent as much pollution and offer decisive competitive advantages to it's manufacturers, as well as the marketing advantages of simply being a superior car. It does not of course solve the problems of too many people driving too many kilometers in too many cars and may make them worse by making driving even cheaper and more attractive. But, I think, I would rather run out of roads and patience than out of air and oil first. And we ought not to run out of either because we ought to have real competition amongst all ways of getting around or not needing to. For example, being already where you want to be so you needn't go somewhere else. That means good land use as well as good telecommunications.
And non-motorised mobility options. 'All those that believe in individual mass transit-raise your right foot', as Dave Brower says. The Hypercar is heading rapidly to market. We are expecting it late this decade. For purely competitive reasons, [it has been developed] without help from any government mandate, subsidy or tax policy.

The same technological revolution that permits this sort of leapfrog, with better peformance and lower costs, is occurring in many other areas. For example, we have recently done experimental houses, in temperatures ranging from -44°C to +46° C , which is a range of 90 Celsius degrees. Houses that require however no heating or cooling equipment cost less to build and are more comfortable to be in. We recently had a design for retrofitting, that is improving, the air conditioning system of our California office, with only three per cent of the original air-conditioning energy use. This 97 per cent saving actually made the building more comfortable. We recently analysed a way to retrofit an existing twenty-year-old giant glass office tower in a way that would save three-quarters of its energy, greatly improve comfort and amenity, and pay for itself in minus five to plus nine months. As it was twenty years old, you had to renovate it anyway for other reasons, like age and CFC's. Renovating it to quadruple its efficiency and make it work and look better would cost essentially the same as simply replacing what was already there.

There are many, many examples from motors, lights, office equipment, household appliances, building envelopes - all of these technical sectors. Even industrial production equipment, where two-fold to ten-fold efficiency improvements can be made. These improvements are highly profitable and can improve function and service quality.

JM: My understanding of what you do is that you spend a great deal of your time travelling the world convincing governments and institutions about the nature of these possibilities.?

AL: Yes, and even more time working with the private sector to implement them. We feel that the main centres of action now are in corporations and communities as well as individuals. We place much less emphasis on governments.

JM: Why is that then?

AL: Governments are necessary and good at certain things but stopping up the cracks round my window is not one of them. I think governments should steer not row. It is important to have government, amongst other things, to get the rules right. We ought to be rewarding architects and engineers for what they save and not what they spend, and correcting the other perverse incentives that afflict all 25 or so parties in the real estate value trade, who are systematically rewarded for inefficiency and penalised for efficiency. So, guess what, we get a huge stock of immediately obsolete buildings. We are starting to understand what are the market failures in buying resource efficiency and how to correct them by tweaking the trim tabs to help the market move properly. So, I think government has a very important role of that sort and can use market forces a great deal more creatively than has been done so far. A small example. Rather than primarily relying upon building standards, useful though they are, as a floor for performance, one ought to have a sliding-scale connection fee. When you connect your building to the grid, if it's efficient, you get a rebate; if it's inefficient, you pay a fee. How good or bad it is determines the size of the rebate or fee, and the fees pay for the rebates, so it's revenue neutral. This motivates continuous improvement, whereas building standards are obsolete before the ink is dry and there's no incentive to do better. You could do the same thing for cars; to get good cars on the road and bad cars off the road faster, by having this sort of debate. It transfers well from those whose inefficient choices impose social costs to those whose efficient choices save social costs. I am very excited by the speed of change and the quality of much upper-management now in the private sector and also, I might add, in the military services, where I've been working lately. There are some astonishingly
decisive and exciting managers there who know how to lead, not simple to manage. Forexample, we have been overhauling how the US Navy designs buildings and procures design services and equipment for buildings. I can't imagine, even though we have worked with some excellent companies, a private sector firm that would move as quickly and as well as they did in that instance.

JM: So how are you viewed in the US as an institute? Where do you fit into the general scheme of things?

AL: I think we have earned a certain amount of respect for foresight and using advanced technologies and market forces in a creative fashion to work better. We don't lobby. We don't litigate. We're not an environmental group but what we do has important environmental benefits and we talk to everybody. We are completely trans-ideological, non-partisan, non-sectarian, and well known for saying what we think.

JM: So what change have you noticed, say in the last five years?

AL: Very rapid and impressive rise in interest and activity in the private sector towards the same ends.
There's now a whole generation coming up of visionary green CPO's, who are leading major companies in quite unexpected, extremely interesting and constructive directions. We have long felt that the private sector is probably the most important source of constructive action on the world's major issues because it alone has the resources, skills, agililty and organisation to get difficult things done fairly quickly. It certainly has the motivation because it is turning out to be so much cheaper to save resources than to consume or produce them. Resource productivity or resource efficiency is not a panacea, but it is certainly a very powerful tool, perhaps the most powerful we know, for slowing down depletion and pollution.

Thursday, June 01, 2006

THE GENERALIST LIBRARY: New Additions

Harry Mulisch is Holland's most important postwar writer. Born in 1927 in Haarlem to a Jewish mother whose family died in the concentration camps, and an Austrian father who was jailed after the war for collaborating with the Nazis, Mulisch feels a particularly charged connection with the Second World War and 'The Assault' is his masterpiece on that subject, documenting the horrors experienced by a young boy following the assassination of a collaborator outside his house. Personally I enjoyed 'Last Call' even more and consider it to be one of the greatest novels about the theatre. An aged actor, who believes his life and career to be over, unexpectedly receives an invitation to star in a new play. Strange and extraordinary events ensue. This is a very deep book, full of twists and turns and profound insights, genuinely moving and disturbing. Highly recommended.

For my money, Jake Arnott is one of the best British writers around, on a par with Colin MacInnes in his portrayal of the underworld of London Life. His books are intensely readable evocations of the criminal and cultural underbelly of the city at various times in its modern history. His characters are rounded and believable, the stories strong and well--plotted. Even more impressive is his expert grasp of mood and moment in which there is a never a false step. Best known of his works to date is 'The Long Firm' (made into a tv darama series and set in the period of the Krays and Profumo), followed by 'He Kills Copper, 'True Crime' and now his latest 'Johnny Come Home' which centres on glam rock, the birth of the Gay Liberation Movement and the Angry Brigade. His evocation of the early 70s is superb and the tale he tells genuinely satisfying. No wonder David Bowie is a big fan.

Neil Gaiman is someone I've known from the Sandman comics but this is the first of his novels I've read. Originally published in 2001, this is revised paperback version in which a huge chunk edited out of the first edition has been put back in. A large doorstep of a book 'American Gods' is a gripping phantasmagoria based on the idea all the immigrant groups that came to the US brought their Gods with them but then neglected them, being captivated more by the new Gods of Media, Television and the like. The old Gods, now scattered, forgotten and unemployed are called on to fight one last battle fore their survival. A gripping tale, which might be described as a hybrid between Stephen King and Phillip Pullman, its the product of a muscular imagination that will take your mind into uncharted waters.

Final note: Well worth checking out 'The Fight' by Norman Mailer, his classic account of the Rumble In The Jungle between Ali and George Foreman. This must be one of the greatest books on boxing and is an ideal companion to the stunning documentary 'When We Were Kings.' His blow-by-blow account of the fight itself will have you scurrying back to the DVD.

FIRST BIRTHDAY

'The Generalist' is 1 Year Old today. Thanks to friends, colleagues and supporters. To date have had 3,728 individual visits and 5,723 page impressions. These have come from all over the world including Brazil, Iran, Taiwan, New Zealand and Serbia. Greetings to all generalists out there. Please spread the word.

Sunday, May 28, 2006

BIG FUG LINKS 1

Big Fug can be relied on to provide some of the most interesting links around. He has unusual tastes. Here is the first crop. Many more to come.

Animusic Pipe Dream
An extraordinary piece of computer animation. Watch and be amazed.

If The Earth Were A Sandwich
Never before have two pieces of bread been simultaneously placed on the ground directly opposite each other on the globe, thus making an EARTH SANDWICH.

Getting Real: The book
The smarter, faster, easier way to build a successful web application. 171 page PDF, $19. Buy it now and download it today!

Puzzle World Database
Lee Krasnow builds extraordinary wooden puzzles

LATEST ART/SubScreenSonic

'Latest Art' is a new production from the South Coast that deserves a wide viewing - a no-nonsense gallery showcase of diverse work with some genuinely interesting articles. Refreshingly free from twee polemic or academe, I can see this catching on in a big way. Available FREE in London and the South-East.

Most interesting piece for me in this first issue was the article 'On the Wall' by Jeff Hemmings, linked to 'SubscreenSonic', a new exhibition of concert and gig posters at the Basement in Brighton. It asks the big question as to whether this show can whet the appetite of promoters, venue managers and artists and reignite the passion for gig posters that existed in the 1960s and 1970s.

I have been pondering this issue for some time, having spent five years cataloguing Felix Dennis' OZ Archives, studying in particular and in detail the history of such posters - an explosion of graphic art that hadn't been seen since Art Nouveau at the turn of the 20th century (and very influenced by that style, incidentally).

This was further reinforced by purchasing 'Art of Modern Rock' by Paul Grushkin & Dennis King [Chronicle Books], the sequel to 'The Art of Rock' documenting the earlier period, an eye-popping collection of more than 1,800 extraordinary posters produced in the last 25 years. Responding to the demise of the LP in the mid 1980s (with its superb tradition of album cover art), the rock poster rushed in to fill the void and swiftly boosted a growing independent/ alternative music scene. The book is stunning and overwhelming. The new artists are using old fashioned letterpress and silkscreen alongside digital technology with extraordinary results. There is work here from 375 international artists and studios. I don't believe that I had seen a single one of these posters in any magazine in the UK. Why is that ? Open any double page in this giant book and you're presented with an array of startling images in every graphic style under the sun. I have yet to show this book to anyone who is not startled and overwhemed. The work stands comparison with the very best of the hippy posters of the past. Why is this not happening in the UK ? Or is it about to happen? I shall be investigating further. In fact, I've decided to head down this afternoon. Will report back as discovered the show finishes tomorrow.

As it turns out Sub Screen Sonic was fab, an impressive showcase of work by 33 artists and studios - all American except for one English guy (Nick Rhodes from Manchester) and an Italian. The organisers told me they'd had large numbers of visitors during the week and one can only hope that more such shows follow in the UK and that we see more silkscreen/letterpress work happening in the UK.

Saturday, May 27, 2006

ARTHUR LEE LOVE FEST


Benefit Concert For LOVE's Arthur Lee To Be Held At NYC's Beacon Theater on June 23rd.

'An all-star benefit concert, titled WE'RE DOING IT FOR LOVE, will be held at New York's Beacon Theater on Friday, June 23 which will attempt to cover the massive medical expenses of rock legend Arthur Lee (LOVE) who was diagnosed in February with Acute Myelogenous Leukemia (AML). Unfortunately, Arthur has no medical insurance, already has medical bills in excess of $100,000 and is facing a probable bone marrow transplant.

With a rapidly increasing lineup at press time including Robert Plant, Ian Hunter, David Johansen, Yo La Tengo and Garland Jeffreys and a host of other significant artists expected to be added in the coming weeks, in addition to hopefully solving a major financial crisis, this concert will shine a long-overdue spotlight on the hugely influential but greatly underappreciated music of one of the truly innovative and influential rock artists of all-time. Tickets go onsale Friday, May 12th at noon at the Beacon Theater box office (74th & Broadway) and all Ticketmaster outlets (212-307-7171), www.ticketmaster.com. All of the concert's proceeds will go to Arthur's medical expenses.

Produced by veteran New York concert promoter Steve Weitzman of SW Productions, in association with Arthur Lee's manager Mark Linn, the show will feature artists who will either be performng Arthur Lee's material, their own originals or a combination of both. Many of the artists invited have had a history of performing LOVE covers in their live sets or on records, and Robert Plant, for one, has been performing three of Arthur's songs regurlarly during his most recent tour.

This upcoming concert infact, owes a large debt of gratitude to the legendary Led Zeppelin vocalist, as he was the first significant artist who agreed to perform, stating simply in a mid-April email to Mr. Weitzman that he "would definitely like to be involved...and will sing with anybody!" He has also insisted on taking care of his own plane fare from London in addition to his NY hotel expenses even when those were offerered to be included in the show's budget. Very soonafter Mr. Plant confirmed, Ian Hunter followed, and in addition to doing his own performance, offered to have his stellar band back up Mr. Plant who happily accepted that arrangement. The show's producer was told to expect"some old Led Zeppelin songs" as well as material by Arthur Lee and a few other songs long admired by Mr. Plant that he hasn't often performed live. Mr. Hunter and Mr. Plant also plan on singing together on certain selections, marking the first time onstage that they will have ever done that.

Understandably, for Arthur Lee, currently battling his life-threatening illness in Memphis, news of this concert has been practically the best medicine possible and has significantly picked up his spirits. When told about Robert Plant's involvement by his manager Mark Linn, he said, "That's great! Why don't you get that guitarist too... Jimmy something," adding with his "arthuresque" humor and take on life, "Robert Plant is a man of his word. and a man's word is his castle!" While his situation is extremely serious and the next few weeks will be his most challenging with ongoing chemotherapy and extensive hospital stays, he recently told his manager thathe is not afraid of dying, only pain. If he is physically able to travel next month, he added, he would love to attend the Beacon show.

It has been well-chronicled that Arthur Lee is a man larger than life. He is a flamboyant artist with a trail of myth and mythology that follows him like a feathered boa. His band, LOVE, was the first rock band signed toElektra Records, and Arthur is responsible for talking company founder Jac Holzman into signing The Doors. Before all this, in 1964, Arthur gave his friend, an unknown Jimi Hendrix, his first appearance on record (the Arthur Lee penned "My Diary" by Rosa Lee Brooks). LOVE's third recording, the landmark "Forever Changes," is still widely considered to be one of the greatest rock and roll discs of all time. In a Rolling Stone special issuetwo years ago, it was voted the 40th greatest album ever, on a list ranking the top 500 LP's of all time, even finishing ahead of such classics as Jimi Hendrix's "Electric Ladyland", the Rolling Stones' "Beggars Banquet", "Meet The Beatles," Led Zeppelin "IV" and John Lennon's "Imagine."

Mass acceptance was elusive for LOVE at the height of their creativity as they were definitely not "careerist." They preferred staying close to home, living together in "the castle" near Griffith Park in Los Angeles as opposed to life on the road. Arthur even turned down invitations to perform at the Monterey Pop Festival and Woodstock. In the late '80's and early '90's, Arthur spent approximately seven years in jail for "allegedly" shooting off a gun in his apartment.

When he was released, he wasted no time getting back to the road and his music. He performed his first New York shows in 25 years in 1994 when he was booked by Steve Weitzman at Tramps for three shows over two engagements in the summer and fall of that year.During the past four years, Arthur Lee has performed the entire "Forever Changes" album to sold out audiences and fantastic reviews throughout Europe and the United States. backed by the local LA group Baby Lemonade, and a string and horn section. Just when he thought his bad times were finally over, he learned he was sick.

Information regardiing the latest talent additions will be constantly updated on Arthur Lee's website, www.thelovesociety.com. In addition, Rolling Stone magazine has a preview article in their special 1,000th issue ("In The News" section, page 44). Fans who are unable to attend the concert and want to make a credit card donation to Arthur will find a link for that on his website.To everyone who has him in his or her thoughts, Arthur Lee sends his LOVE.'

For further contact: Steve Weitzman/SW Productions - 212-254-1725, steveweitzman10@hotmail.com.Mark Linn, Arthur Lee's manager - 615-480-6923, delmores@comcast.netAlicia Gelernt, Noble Music - 646-408-9645, alicia@noblemusic.net

[Thanks to Ian Grant for the info]

RIP: Desmond Dekker

KEITH RICHARDS WATCH: Richards is astounding his doctors, by the latest accounts, with the speed of his recovery. He is the man who cannot die by normal (or abnormal) means. He is not appearing in 'The Pirates of the Caribbean 2' as initially rumoured.

LEWES FOOTNOTE: Composed while listening to 'On The Boards' by Taste and 'Raw Sienna' by Savoy Brown - both on crunchy vinyl, whilst having tea with Russell, who reports that earlier in the day he spotted Nick Cave in a brown suit in Bill's, our local eating and meeting venue. The weather still hasn't improved.

IDENTITY CARDS/PASSPORT RENEWAL


Manek Dubash writes :
'IBM researcher Michael Osborne, whose job is research into secure ID cards, slated the UK government’s ID cards scheme on the grounds of cost, over-centralisation, and being the wrong tool for the job. Based in Big Blue’s Zurich research labs, where the scanning tunnelling microscope was invented and won its inventors a Nobel Prize, Osborne said that the problem is neither the cards nor the fact that the scheme is intended to use biometric technology.

The big issue is that the UK government, plans to set up a central database containing volumes of data about its citizens. Unlike other European governments, most of whom already use some form of ID card, the central database will allow connections between different identity contexts - such as driver, taxpayer, or healthcare recipient - which compromises security. Centrally-stored biometric data would be attractive to hackers, he said, adding that such data could be made anonymous but that the UK Government’s plans do not include such an implementation. '
See full story here: Techworld

To keep up with the latest developments on this topic, visit NO21D - the main site for the national campaign against ID cards and the National Identity Register. It is not affiliated to any political party and is funded almost entirely by voluntary donations. Founded in 2004, it aims to bring together people and organisations from all sections of the community in opposition to the Government's plan for compulsory registration, fingerprinting and lifelong tracking of all UK residents by means of a centralised 'identity' database. They want the public to be properly informed about a scheme that has kept invisible by spin, but that aims to transform all our lives. NO2ID is supported by over 70 organisations, including unions, political parties, and local
councils-and more than 30,000 individuals. They already have around 100 local groups across the UK. You can find the nearest one here

WHY YOU SHOULD RENEW YOUR PASSPORT NOW

Passports will change soon in order to force you to have a government ID card. On March 30th, the Identity Cards Act 2006 became law. Among other things this lets the Home Office turn your passport into a ‘designated document’ for its ID card scheme. That means that as soon as it is can—maybe in 2008 or 2009, but possibly before—the new ‘United Kingdom Identity & Passport Service’ (UKIPS) will refuse to renew your passport unless you attend an official interview and agree to be fingerprinted and give a wide range of personal information for a “National Identity Register” database.

The National Identity Register (NIR) will be the biggest store of personal data in the world. And once you are on it, you are on it for life. You will be required to update any details about you that change for the official record, or be fined. They want to make sure they know where you live. Every use of your passport will be recorded on the NIR—when you travel and whenever you use it to verify your identity, say at the bank or to get a job. That information may be seen by police, tax, housing, and benefits officials and thousands of other Government agencies. It may even be checked by private companies.

But for now you have a choice. The current rule is that you can renew your passport at any time. NO2ID got the Home Office to make its policy clear, and you can read it on the new UKIPS website: “You do not have to wait until your passport is nearly expired to renew it, but we can add no more than 9 months unexpired validity from the old passport to the new one. You can renew your passport whenever you wish, but you must pay the full fee and no refund can be given for the unexpired validity in the old passport”.

In other words, you can buy 10 years’ freedom from compulsory Registration on the NIR for just £51, right now. You may get slightly longer than 10 years on your new passport—but that’s entirely up to the Home Office. The government says the price will rise to at least £93 when it starts issuing ID cards. But the way you can get a passport will change from as early as October.
That’s why we suggest you act now and “renew for freedom”.

UPDATE: GORE AND LOVELOCK


Following on from my postings concerning my encounter with Al Gore and his latest activities (see: I Bought Al Gore Lunch: Real As Rain and Al Gore 2: An Inconvenient Truth ), the man himself popped up in major pieces in these two mainstream magazines in the same month.
We're all going green it seems and Al is the new Poster Boy of the Climate Change revolution. Chance to judge for yourself as Gore will be making a presentation of his no-holds-barred view of climate change on 21st June 2-4pm at Tate Britain. The event is being organised by The Carbon Neutral Company in conjunction with the All Party Parliamentary Climate Change Group. Immediately afterwards, CNC are co-hosting with BSkyB, a panel discussion about what UK business is and could do to achieve a step change in managing CO2 emissions.



Following on my from previous post on James Lovelock (see: James Lovelock: Man of the Moment ), purpose of which being to underline the fact that JL had been a longtime supporter of nuclear energy rather than a deep green who'd only recently changed his viewpoint, comes hard and fast evidence that, in fact, he has been part of the nuclear lobby for years to a much greater extent than previously realised and also had connections with the intelligence establishment.
See: http://www.nuclearspin.org/index.php/James_Lovelock

Thursday, May 11, 2006

MUSICAL ROUNDUP


Guitar Man by Will Hodgkinson
[Bloomsbury 2006]
A Six-String Odyssey or You Love That Guitar More Than You Love Me


At the age of 34, Will – who had been told he was tone deaf at school, decides not only to learn the guitar and but also commits himself to performing before a live audience in six months time by boasting to all his friends.

In particular, he wants to learn and play ‘Anji’ by Davy Graham – a tricky but seminal guitar instrumental, recorded by Paul Simon and Bert Jansch amongst others.

Having exhausted the advice of immediate friends and colleagues, he begins roaming further afield and chats and take lessons from Johnny Marr and Bert Jansch. He goes to the States and meets Roger McGuinn in Orlando, travels to Nashville, Memphis and New York and on his return, buys an electric guitar and meets the legendary eccentric/reclusive Davy Graham himself.

In addition, he learns about such outsiders as Teddy Paige and Jackson C. Frank and such masters as Django Reinhart, Robert Johnson, Link Wray and Charlie Christian, and about the whole history of the instrument from Renaissance times to the present day.

The author if a born story teller with a delightful touch, who deftly interweaves these experiences and encounters with accounts of his attempts to form a band called Double Fantasy, and rehearse them in the basement of his family home and the impact that his whole adventure has on private life, especially on his long-suffering partner NJ. All ends happily in a successful gig and a final leeson from Jansch, who patiently takes him through ‘Anji’ until he more or less gets the hang of it.,

What could have been mawkish in the wrong hands, is instead, truly informative and inspiring. - a joyful, amusing, engaging book that should be read by anybody whose trying to learn or planning to learn the guitar. Also by anybody who plays guitar or is remotely interested in the instrument.

Read Will Hodgkinson's article on Davy Graham in The Guardian: 'The Original Guitar God'

DAVY GRAHAM
There is definitely a resurgence of interest in this beatnik pioneer. I well remember some years back now, excitedly discovering ‘Folk, Blues and Beyond’, originally recorded Decca in 1964 with Gus Dudgeon on the desk (now available again on Topic) and it remains my favourite – a perfect blend of styles and genres, way ahead of its time and highly influential.

Also re-released of late is another stunner – ‘Folk Roots, New Routes – by Davy Graham with Shirley Collins [A Wing and a Prayer 2005} which startlingly juxtaposes the pure trad folk voice and tunes of Shirley with esoteric and adventurous guitar work from Graham.

So enamoured did I become that I made strenuous efforts to track Graham down and book for one of our ‘New Beat Experience’ events in Brighton. No joy unfortunately.

Davy Graham Official site: http://www.daveygraham.moonfruit.com/
Apparently DG is at work on a new album called Fahrenheit and Centigrade
Outright Records: http://www.outrightrecords.co.uk/about_davy.htm
Find out more about Davy Graham and past releases
Davy Graham discography:http://kneeling.co.uk/frames2.asp?pages/davygraham/default.asp


CROSSING THE BRIDGE: THE SOUND OF ISTANBUL
Just been to see this remarkable music film at our local arthouse cinema (Duke of York’s in Brighton). A documentary journey, directed by Fatih Akin, through the musical underworlds of the music of Istanbul in the company of Alexander Hacke who records an extraordinary range of music – from heavy rap, experimental, Turkish pop, Romany and Kurdish to Pink-Floydie eastern psychedelia and much more. Moving and inspiring and a must see.
[The soundtrack album and book of the film are available. DVD is out on June 26th]

Here is the synopsis from the official press pack. Further details from the movies' official site: http://www.crossingthebridge.de/

'A maverick in Istanbul. ALEXANDER HACKE, a member of the German avant-garde band EINSTÜRZENDE NEUBAUTEN for more than 20 years, first came into contact with the city and its music while producing the score for the movie HEAD-ON (GEGEN DIE WAND). In Istanbul he met the members of the neo-psychedelic band BABA ZULA. When their bass player dropped out, he was asked to sit in for her. Alex Hacke is a collector of musical styles and loves to experiment with sound, and so it didn’t take much to persuade him. But he didn’t just bring his bass guitar, but also a complete mobile recording studio, including his “magic mike”, which he has used to capture exotic sounds from all over the world. He calls his approach to collecting sounds “street recording”, and it allows him to make professional recordings just about anywhere.

And so he sets out to capture the musical diversity of Istanbul onto his hard drive. His aim is to expose western ears to the broadest possible spectrum of Turkish music, ranging from modern electronic sounds, rock and hip-hop, right down to classical “Arabesque” music. FATIH AKIN, director of HEAD-ON, accompanies him with his camera and shoots a portrait of Istanbul’s lively music scene, whose music suffuses every part of the city, and which is dearly loved by all of its inhabitants. Hacke’s home base is the venerable Büyük Londra Oteli (Grand Hotel de Londres) in Istanbul’s district of Beyoglu, probably the most “European” spot in all of Turkey. From here he wanders through an alien, contradictory, lively, and seductive world, collecting impressions and tracks, drifting along in the unstoppable stream of this mega city of myriad facets.

But no hard drive or film can do justice to the diversity and overwhelming force of musical and visual impressions this city generates. With this experience he finally returns home, a musical treasure in his baggage, which now needs to be sifted and presented to the world.'

ON THE TURNTABLE

Joe Strummer & The Mescaleros – Streetcore [Hellcat Records 2003]
Amadou & Mariam: 1990-1995 The Best of the African Years [Syllart Productions 2005]
Toumani Diabate’s Symmetric Orchestra [World Circuit 2006]
Hamilton de Holanda – Samba do Avião [Kind of Blue 2006]
Anouar Braham – Le Voyage de Sahar [ECM 2006]
The Django Reinhardt Festival: Live At Birdland
[Kind of Blue 2006]

Compilations
Alligator Records 35 x35 (35 Songs, 35 Years of Genuine Houserockin’ Music) [2006].
The R&B Scene [Deram 1998]
The Blues Scene [Deram 1999]
Feber 2: Andres Lokko Folk [Amigo Musik 2005]
Play Back (Good Music Re-visited) [Sony BMG 2005]

Wednesday, April 05, 2006

Tuesday, March 21, 2006

DIGEST 1

Firstly, apologies to regular readers for the lack of postings this month. Real life has intervened in the shape of professional deadlines.

In addition, I have launched a new blog which has required a great deal of work and attention: The World of Trees I hope you enjoy it.

Book of the Month: One of the most articulate and interesting interviewees in Martin Scorsese's Dylan documentary was the legendary Dave van Ronk, whose autobiography 'The Mayor of MacDougal Street' has recently been published by Da Capo Press. Van Ronk, who died in 2002 actually set out to write a social history of the culture of Greenwich Village but passed on before such a project could be completed. His friend and biographer Elijah Wald (author of the acclaimed 'Escaping the Delta', a biography of Robert Johnson) took the chapters van Ronk had completed and, in a masterful manner, pieced together the remainder of the narrative with consummate skill and grace. Van Ronk's distinctive voice resonates throughout the book and this remarkable work of biographical ventriloquism takes the reader to the heart of the burgeoning folk scene of the 1960s in which van Ronk was to play such an important role. This bear of a man knew and played with all the major figures on the scene, encouraging the young Dylan and even housing him for a while. He also hung out with jazz greats and politicos and proves the perfect guide to the intricacies of the late '50s bohemian culture. For musicians, there's a lot of detailed instrument talk here plus a non-airbrushed view of the scuzziness of the nascent folk circuit. Van Ronk had a built-in bullshit meter, refused to suffer fools gladly and was never backwards in coming forwards with an opinion, however unfashionable. This engaging memoir, stuffed with tall tales and vivid anecdotes, leavened with a deep streak of black humour, is a fitting memorial to one of the true originals.

Delighted that legendary Dylan scribe Michael Gray has got his own blog up and running here: http://bobdylanencyclopedia.blogspot.com/

His new book 'The Bob Dylan Encyclopedia' is due to be published in the States and here by Continuum, on June 15th (H/B 832 pages. £25/$40). The first edition will contain a searchable CD-Rom and has 850 entries and 16pp of illustrations. According to the publishers, the many different kinds of entries include:

- Bios of singers, musicians, songwriters and composers who have influenced Dylan and/or worked with him
- Critical assessments and factual details (including place & date of recording, date of release and original catalogue nos.) for every Dylan album and for a large number of individual songs selected from Dylan’s decades of work
- Bios of writers, poets and other key cultural figures who have impacted on Dylan’s work and/or who are mentioned within it, from William Blake to William Carlos Williams, from Lenny Bruce to Franz Kafka
- Topics like Artists vs. Critics, Angels, Dylan Interpreters, The Co-option of Music of Advertising, Early 1960s Pop Music, Beat Poetry, Rock’n’Roll, Country Blues, Pre-C20 American poetry, Dylan Fanzines, Cowboy Heroes, The Use of Hollywood Dialogue in Dylan’s Lyrics, ‘Grandma and Walpole’s Cat,” “Frying an Egg on Stage,” and many many more.

RIP: Ali Farka Touré
Writer Bill Cardoso, who coined the term "gonzo" to describe the journalism of Hunter S Thompson, has died in California at the age of 68.

Publishing on Demand: There's been a flurry of articles of late on the new possibilities offered through digital publishing for aspiring authors to see their work in print by creating their own books. This kind of thing used to be called 'vanity publishing' but is now reemerging as yet another aspect of the 'digital empowerment' debate. Still early days, but the skeleton of a new world of publishing is now visible. [Thanks to Flo for the sources]

'Publish and be downloaded' by Damian Whitworth
An internet entrepreneur says his latest venture will revolutionise the book-publishing industry, turning us all into potential J. K. Rowlings


'Frustrated author? Publish yourself' and the follow-up piece 'Click, download, publish' by Victor Keegan. Go to http://technology.guardian.co.uk/ and search by author.

'From blog to book' [The Bookseller]: 'The New York Times tells us that blogs that aspire to literary permanence, can now achieve it through the new Book-Smart software from Blurb, a publish-your-own-book service. "The software, which is expected to be available free later this month at www.blurb.com, features a 'Slurper' tool that automatically downloads and reformats the contents of a Web log into a book that bloggers and their admirers can purchase online."

Find out about the Lulu Blooker Prize, the world's first literary prize devoted to "blooks": books based on blogs or websites.

The number of bloggers - people who write online journals - topped 30m during the week of March 11th, according to technorati.com, the search engine that monitors activity of this kind.



Wednesday, March 01, 2006

New Developments

A powerful poster for an important event.
See: http://www.freewestpapua.org/ and http://www.infopapua.org/

Delighted that the first story to be picked up from THE GENERALIST is currrently featuring on the US alt-journalism site www.mixeye.com/ Click Browse and go to 'The Truth Is Out There Somewhere.'

Pleased to get one of my pictures in the latest issue of Viva Lewes, our fab new local web mag. This is an original site by any standards - it scrolls sidways for one. A beautiful piece of web design, complemented by genuinely interesting editorial with real style. In addition, it is providing an important service to the local community, giving the town a new view of itself. An unqualified success.

Excited by the fact that our band BOHO is now featuring on http://www.myspace.com/bohobeat.
Check it out.

There is the thinnest of crescent moons tonight. The world is turning.