In the 60s Worthing was a good place for music. It had a large Assembly Room and a Pier Pavilion which promoters would hire to put on bands of all descriptions. Here's some examples: Cream, The Who, The Byrds from California, The Jeff Beck group, Small Faces, Black Sabbath, Fleetwood Mac. Underground groups from London like the Edgar Broughton band and Mott the Hoople.
We formed a group called the Worthing Workshop and started putting on our own events at these and other venues in pubs and clubs. Nightime 'meeps' on the downs with LSD. Free festivals in the park in the town. We hooked up with the art school and put on Hawkwind. We set up a short-lived folk-club in a bar near the station. It was opened by Shirley Collins, now widely regarded as the Queen of British Folk.
Several of us were to move into the music business in some way or other principally Ian Grant and Alan Edwards who at various times worked together to stage and promote bands such as Big Country and the Stranglers.
At the age of 20 Alan had returned from a trip to the hippie trail and discovered the London punk scene, cut his journalistic teeth on the music paper 'Sounds' and developed his skills by establishing a public relations agency called the Outside Organisation.
This book catalogues his remarkable career in the celebrity entertainment world of music and sport. His closest contact was David Bowie who he collaborated with for thirty years. Mick and Keith of the Stones also used his skills as did the Spice Girls
Alan is a grand storyteller and his knowledge, tactics and experience have made him a number one entertainment PR. Good going man!
Ian went on to handle many bands with great success. I worked on the underground press, the NME and many other projects including an official portrait of Big Country entitled 'A Certain Chemistry'. I continue to enjoy recalling those younger days and caring for my archive of memories.
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